DAMASK or MALADIES
I
A living picture.
Your image is mirrored
on the surface of my pupil.
No one knows how to keep it
there forever.
Only Death knows these things,
But he cares not to share
With the Living.
II
Even if I knew I possessed a soul,
If it had to descedent to Heaven,
I’d rather stay here, and feel rain on my nose.
I’d keep talking with the Homeless.
My soul’s a stray dog,it has no master,
no master at all.
III
An Animal dressed in human skin
Enters the man’s realm full of oddities.
When it becomes aware of its existence,
will it marvel at or will
it pour scorn on our studied and made-up world?
The expression in its animal eyes,
That expression in his human eyes
when he looks to the night sky; oddly the same.
IV
King Louis XIVth loved his women.
And he made all his bastard sons and daughters
princes and princesses
The Sun King was a father, after all.
Yet we only marvel at Versailles,
The past, its splendour and stench.
V
He was the unhappiest man to ever wear the crown,
Owing this disaster to purity of blood.
The sorrow king whose weeping still
Glides on Escorial’s walls, like living memories,
Mourning for his beloved wife,
And for his life, a joke.
VI
Don’t sing to me the songs of love.
Lorca tried, yet no one
saw meaning in the symbol of orange.
I saw.
Duende then crawled from verse to verse
in his poetry, in search of Saudade -
Duende’s only image of Love.
No one saw that either.
VII
Pretty words and fine metaphors
Are empty Hall of Mirrors in Versailles.
And my verses are nothing but stray dogs
That never knew man.
VIII
He is an atheist who trembles
In the haunted corridor, afraid
His disbelief may cloth itself
in his dead daughter’s curls
and choke him to death.
IX
She carves her reminiscences,
Unloading her mind of all the ideas
She miscarried; those unborn now undead.
“They are the Venetian Seals”, she says,
“Although You may know them by the name ‘Vampires’”,she adds.
X
I’ve got an easy mind, I know now I am unusual writer, As a matter of fact, I am not a writer at all. I am a story teller. I am a blasphemy to the modern trend. I haven’t been writing since I was small, seeking an escape as children usually do. With my childhood friends – and the key to house on my neck – I preferred storming my way into Sheriff of Nottingham’s castle – until my mother would call me for dinner – to the seclusion of child’s imagination crowded with bogus friends. My teen years weren’t any different. I read a lot, never felt the need to write as much as I read. I had stories in my head for my myself and friends. They lived there and that was enough. My mind’s probably one of the finest living books.
And only recently I’ve felt a peculiar urge to put it on paper. But it does not hold any magic to me. Writing is s secondary process, and I come from the family which tradition of oral story telling goes back to the times when my ancestors still lived a nomadic life, and believed – strangely agreeing with Plato – that once a story is written, it is forgotten.


